Life_is_Ride,_2023
Life is Ride, 2023
SEXYLAND_WORLD
SEXYLAND WORLD
De_KIP,_2023
De KIP, 2023
Oculus_Cirrus
Oculus Cirrus
Sea_by_Night,_2023
Sea by Night, 2023
Buzzclub_SEXYLAND_2022
Buzzclub SEXYLAND 2022
Moonriders_
Moonriders
Work_harder
Work harder
Frans_Hals_Museum
Frans Hals Museum
Tell_Me
Tell Me
SEXYLAND
SEXYLAND
One_for_All_All_for_One
One for All All for One
Signature_Series
Signature Series
De_Zee
De Zee
DEAD_PAN
DEAD PAN
In_search_of_the_miraculous
In search of the miraculous
STICK_OR_TWIST
STICK OR TWIST
Part_2._Copy_a_feeling
Part 2. Copy a feeling
Part_1._What_about_value
Part 1. What about value
Part_3._Gallery_as_Hotel
Part 3. Gallery as Hotel
Ulay_(s)he
Ulay (s)he
Feest_der_Vernietiging
Feest der Vernietiging
Chambre_dHote
Chambre dHote
Pitch_Black_Photo_Booth
Pitch Black Photo Booth
When_the_Saints_Video
When the Saints Video
one_for_all
one for all
Spoilt_Dissatisfaction
Spoilt Dissatisfaction
Puking_Rainbows
Puking Rainbows
Dancemarathon
Dancemarathon
Push_Versus_Pull
Push Versus Pull
COCO_CHANEL_TIGER
COCO CHANEL TIGER
VIDEO_N2O
VIDEO N2O
Cutting_Daisy
Cutting Daisy
VIDEO_112
VIDEO 112
RANDOM_PHOTOGRAPHY
RANDOM PHOTOGRAPHY
Flourish_in_absence
Flourish in absence
Eddie_The_Eagle_Museum
Eddie The Eagle Museum
ARCHIVE
ARCHIVE
De_Stier
De Stier
Buzz_Club
Buzz Club
Blue_2
Blue 2
AUKJE DEKKER | NEWS | CV | TEXT | NOTE FOR POTENTIAL COLLABORATEURS  LOADING..
Aukje Dekker & Gerald van der Kaap 
Buzzclub Sexyland 2022 (Screentest #9) (2022)

In the 1990’s, artists Rineke Dijkstra and Gerald van der Kaap created a series of ‘screentests’ – reminiscent of Warhol’s video-portraits – in which they removed young clubbers from their context (the dancefloor) and filmed them dancing in a neutral setting, creating an insightful portrait of youth life in that era. For Buzzclub Sexyland 2022 (Screentest #9), artist and Sexyland co-founder Aukje Dekker invited Van der Kaap to collaborate on a project that asks: what happens if we recreate the experiment in 2022? The clubs in which Van der Kaap and Dijkstra filmed – MysteryWorld in Zaandam, RoXY and Vrieshuis Amerika in Amsterdam, and Buzz Club in Liverpool – are all closed, but they create a ghostly veil over the projection screen as we watch Sexyland’s clientele participate in the experiment. Dekker’s method of commenting on existing artworks and exposing the processes that give them value emphasizes the awkwardness and self-consciousness that comes from shaking people out of their socialized relationship with a camera. Van der Kaap’s soundtrack heightens the tension between artist and subject and makes us complicit in the almost shocking disembodiment that takes place when a clubber is isolated from the club.
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